{"product_id":"teatro-museo-figueras-after-salvador-dali-1974","title":"Teatro Museo Figueras (after) Salvador Dali, 1974","description":"\u003cp data-mce-fragment=\"1\"\u003eArtist: Salvador Dali\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMedium: Lithographic Poster, 1974\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDimensions: \u003cspan data-mce-fragment=\"1\"\u003e28.5 x 20.1 in \u003c\/span\u003e\/ 72.5 x 51 cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eClassic poster paper\u003c\/span\u003e - Condition A+\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis lithographic poster by surrealist painter Salvador Dali, was created for the Teatro Museum in Figueras, the artist's hometown. It reproduces one of the etchings, \"Zebulun\", from the 1973 portfolio \"The Twelve tribes of Israel\". \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDali subscribed to the surrealist André Breton's theory of automatism but ultimately opted for a method of tapping into the unconscious that he termed \"critical paranoia,\" a state in which one could cultivate delusion while maintaining one's sanity. Paradoxically defined by Dali himself as a form of \"irrational knowledge,\" the paranoiac-critical method was applied by his contemporaries, mostly surrealists, to varied media, ranging from cinema to poetry to fashion. \u003c\/span\u003e\u003c\/p\u003e","brand":"Salvador Dali","offers":[{"title":"Default Title","offer_id":67628409159725,"sku":"koj1791475302205","price":144.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0755\/8450\/3853\/files\/teatro-museo-figueras-after-salvador-dali-1974_1.jpg?v=1791475307","url":"https:\/\/stepstoreboutique.shop\/products\/teatro-museo-figueras-after-salvador-dali-1974","provider":"My Store","version":"1.0","type":"link"}